The Other, 2025 – ★★★
Plods along without much spark, but the bizarre, unforgettable ending almost makes the wait worthwhile.
Plods along without much spark, but the bizarre, unforgettable ending almost makes the wait worthwhile.
A step up in every way—still flawed, but shows real growth and vision. Curious to see where he goes next.
Strong atmosphere can’t make up for the sluggish pacing and overextended runtime. Not enough substance to justify the sprawl.
Disturbing, gripping, and elevated by a haunting turn from Sally Hawkins. Another chilling, masterful outing that lingers long after.
Slow and aimless, it builds to a reveal that feels more like a shrug than a payoff. Leaves you wondering why you bothered.
Hilariously awful movie made legendary by razor-sharp riffing—one of the show’s finest hours of absurd fun.
Starts strong with a unique hook, but the weight of its ambition trips it up. Still, it’s an interesting misstep.
Intriguing ideas and eerie style, but it meanders without ever hitting a satisfying stride. Feels like it’s missing a final act.
A bloody welcome back that shakes off the dust with new tricks and gruesome flair—fans should be pleased with the carnage.
Snaps back with inventive kills and a clever final twist—proof there’s still life in the formula when done right.
Lacks the creativity and suspense of the earlier films—feels more like a placeholder than a proper sequel.
Stylish, savage, and packed with that early 2000s charm—it’s the most fun and rewatchable entry in the series.
Sets the bar with a jaw-dropping opener and keeps the tension high throughout—a near-perfect sequel that ups the ante in all the right ways.
Inventive, tense, and a lot of fun—still delivers the thrills even if the Y2K fashion doesn’t.