Category: REVIEWS

Julia's Eyes, 2010 – ★★

Too stretched for its own good, with long spells of nothing that sap the tension. Any sparks of intrigue get lost in the slow drag toward a payoff that hardly feels earned.

Angel of Destruction, 1994 – ★★★

Exactly the kind of over-the-top, trashy fun you’d hope for — cheesy dialogue, wild action, and zero shame. A blast if you’re in the mood. Thanks Joe Bob for the reccomendation!

Until Dawn, 2025 – ★★★

Strong visuals and makeup sell the horror, but the loop concept never quite reaches its full potential. Still a fun ride with solid moments.

Creepy, 2016 – ★★★

Effectively unsettling at times, but stretches a thin story too far. A tighter runtime could have made the slow burn much more potent.

Anna, 2019 – ★★

Clunky choreography and wooden pacing drag down what should have been a slick, stylish ride. Even the trademark flair of Luc Besson can’t save this from feeling like Yawn Wick.

Warfare, 2025 – ★★★★

Unflinching and immersive, it captures the brutality and confusion of combat with terrifying authenticity—tense, visceral, and hard to shake.

The Unthinkable, 2018 – ★★★

Grounded and intense, it paints a chillingly believable picture of societal collapse. Imperfect, but its realism leaves a strong impression.

It Feeds, 2025 – ★★

Has the bones of a good creature feature but drags too often to build real tension. A few eerie moments can’t save the sluggish pace.

Mickey 17, 2025 – ★★★

Ambitious and full of potential, it keeps you intrigued but never quite delivers the punch it promises. Almost great — just missing that final spark.