Author: chris

The Devil Inside, 2012 – ★

This movie stands out as one of the laziest and most boring experiences I’ve had in a while. The ending takes the cake for being completely nonsensical and utterly disappointing.

Sixty Minutes, 2024 – ★★

The movie is decent overall, but the MMA fighting scenes lack the cinematic flair needed to make them truly engaging on screen. While exciting in a live setting, they don’t translate as well to film.

Killing God, 2017 – ★★★

The movie starts off strong with a fun setup and intriguing characters, leading to a satisfying dark ending. However, it loses its direction in the middle, which dampens the overall impact.

Freehold, 2017 – ★★★

This film ranks as one of the most disturbing I’ve ever watched, keeping me on edge the entire time. The thrill of guessing when everything would unravel added to the twisted fun.

Land of Bad, 2024 – ★★★

This film is the epitome of a “dad movie,” and I couldn’t be happier about it. It’s exactly the kind of action-packed, straightforward entertainment I love.

Framed, 2017 – ★★

Though the movie is a bit of a mess, I appreciate the effort they put into using practical effects. It’s rough around the edges, but the effects add a layer of gritty charm to the chaos.

Croc Tsunami, 2021 – ★★

There’s hardly enough happening in this film to justify its already short runtime, leaving much to be desired. However, the city rampage at the end provides a small dose of fun amidst the otherwise slow pacing.

Assholes, 2017 – ★★

The title couldn’t be more fitting for this film, capturing its chaotic and abrasive nature. Despite its short runtime, the final act still manages to drag, leaving the experience feeling unnecessarily stretched.

Rebel Ridge, 2024 – ★★★

By now, you know exactly what to expect from a Saulnier film, with familiar themes and pacing throughout. While it’s solid, it might be time for him to shake things up and try something different.

Open Grave, 2013 – ★★

The film feels stretched thin, with a plot that might have been more effective as a 30-minute segment in an anthology. There’s simply not enough substance to justify its full-length runtime.

Sleep Tight, 2011 – ★★★

The film features one of the creepiest main characters I’ve encountered in years, making for an unsettling watch.

Borderlands, 2024 – ★★

The movie isn’t nearly as bad as some might suggest, though the casting choices leave much to be desired. With little humor outside of Claptrap’s antics, it struggles to capture the spirit of the original material.