Author: chris
C.H.U.D., 1984 – ★★★
Grimy, atmospheric, and fun in its restraint—the monsters stay mostly hidden, but the urban decay sells the horror.
There's Someone Inside Your House, 2021 – ★★
Brutal kills aside, it’s a hollow slasher with a weak story that fails to bring anything fresh to the table.
Eddington, 2025 – ★★★★
Bleak, unsettling, and meticulously crafted—Aster once again delivers a haunting vision that lingers long after the credits.
Burial Ground, 1981 – ★★★★
Chaotic, sleazy, and endlessly entertaining—an 80s cult classic that’s best enjoyed with a crowd ready to revel in its madness.
Broadcast Signal Intrusion, 2021 – ★★★
Creepy and atmospheric, it hooks with its eerie concept and delivers a payoff that lingers. A hidden gem for fans of slow-burn mysteries.
Superman, 2025 – ★★★
I really wanted to give this 4 stars becasue there is so much to love about it, but even the slighest scratch under the surface reveals just more of the same from James Gunn.
Depraved, 2019 – ★★★
Fresh spin on a classic tale, blending modern grit with timeless conecepts. Uneven at times, but compelling enough to stand out.
A Taste of Phobia, 2018 – ★
Dull, lifeless, and completely devoid of scares—an anthology that fails at every turn.
From the Dark, 2014 – ★★
Well-shot but empty, it trudges along without purpose or payoff—leaving little reason for it to exist at all.
The Life of Chuck, 2024 – ★★★
Feels like a warm ensemble piece where every familiar face brings something worthwhile. Comfort viewing with a bittersweet edge.
Together, 2025 – ★★
Over-explains itself into boredom, draining the mystery and weight from what could have been a far more impactful story.
Jurassic World Rebirth, 2025 – ★★★
Polished but predictable, it delivers the usual dino mayhem without finding a fresh spark to make it roar again.
28 Years Later, 2025 – ★★
Offers little beyond a sense of déjà vu—well-made but ultimately treading familiar ground without adding much.


