The Long Walk, 2025 – ★★★
Mark Hamill shines, elevating a solid and engaging story. A strong genre outing even though I am not the biggest Stephen King fan.
LATEST STUFF
The Hand That Rocks the Cradle, 2025 – ★★★
Competently made and well-acted, but plays it far too safe to justify revisiting the material.
All Hallows' Eve: Trickster, 2023 – ★
Cheap, uninspired, and painfully dull—an empty cash-in with nothing to offer but frustration.
Shell, 2024 – ★
Starts off promising but crashes hard by the end—an infuriating finish to an already hollow film.
Grave Torture, 2024 – ★★
Drawn-out and repetitive, it stretches a thin idea well past its breaking point. Style without momentum.
Vicious, 2025 – ★★★
Ambitious and uneven, but the effort shows—blending familiar concepts into something that’s at least engaging.
The Strangers: Chapter 2, 2025 – ★★
Lifeless and filler-like, it exists only to bridge the gap to another sequel no one asked for.
Twentynine Palms, 2003 – ★★★
Unsettling and raw, it earns its reputation with a slow build that explodes into pure chaos. Hard to shake once it’s over.
Martyrs, 2008 – ★★★★
Devastating and unforgettable—a brutal, transcendent landmark of modern horror that still cuts deep.
The Conjuring: Last Rites, 2025 – ★★★
Polished and spooky with enough scares to satisfy—doesn’t reinvent the formula, but keeps the franchise alive and well.
I'll Always Know What You Did Last Summer, 2006 – ★★★
Cheap but oddly fascinating—a strange off-brand sequel that’s more weird than it has any right to be.
Clown Of The Dead, 2015 – ★★
Drags far past its welcome, stretching a thin premise without enough scares or energy to sustain it.
Thirst, 2009 – ★★★
Stylish and unconventional, it breathes new life into familiar vampire lore with Park Chan-wook’s signature flair.
Incarnate, 2016 – ★★
Derivative and low-rent, it rides the coattails of better films without offering a single fresh idea.
