Category: REVIEWS

No One Lives, 2012 – ★★★

Predictable but gleefully savage, it delivers the bloody goods with style. You won’t be surprised, but you will be entertained.

Presence, 2024 – ★★★

Sleek and skillful, with a haunting precision—may resonate even more on a second watch. A strong showcase of craft.

The Presence, 2014 – ★★

Utterly by-the-numbers with no spark or identity of its own—just another forgettable entry in the ghost story pile.

Retardead, 2008 – ★★

Offensive title aside, it’s a rough, tasteless ride—but somehow the ending manages to stick better than expected.

The Curse, 1987 – ★★★

Dripping with ’80s vibes and practical goo—it’s dated in the best way, with just enough weird to keep it fun.

Space Sharks, 2024 – ★★

Exactly what you’d expect from the name—silly, shallow, and proudly ridiculous, but not much beyond the gimmick.

Sator, 2019 – ★★

Ultimately just another slow crawl through well-worn horror territory with nothing new to say.

Nosferatu, 2024 – ★★★

Stunning to behold, but the déjà vu is hard to shake. Style nearly makes up for the lack of fresh perspective.

Archive, 2020 – ★★★

Hooks you with its visuals and keeps you around with a thoughtful core. Familiar ideas, but presented with style and care.

Warning, 2021 – ★★

Ambitious in structure but lacking in payoff, the threads feel disconnected and the themes half-baked.

Primal, 2019 – ★★

Completely absurd but not in a way that works—Cage gives it his all, but even he can’t sell this laughably miscast adventure.

Trespass, 2011 – ★★

Loud, lifeless, and strangely empty, it’s a disappointing swan song for a director who once had real flair.