Category: REVIEWS

Probably the highest budgeted movie of the whole series, with Linnea Quigley and Ginger Lynn Allen delivering some genuinely funny moments, although Queen Bee is the least interesting villain of the series.

Late Night With The Devil boasts a compelling premise with its live TV broadcast concept, but its decision to mix in other perspectives dilutes the intensity and immediacy of the format, ultimately detracting from the film’s overall impact. Despite this, standout performances and moments of dark humor still make it...

Sydney Sweeney delivers a captivating performance in Immaculate, bringing depth and authenticity to her character. However, the movie’s ending feels rushed and leaves several crucial plot points unresolved, ultimately detracting from the overall impact of the story.

Everything still looks visually stunning but I think I prefer the more story focused first part over this one.

Interesting in concept, falls apart with the script and acting. It felt like the actors were just telling you the story.

This move was a headache inducing mess. A grindhouse movie made by someone who has no idea what that means.

A super fun rewatch. Robert Forster is in top form. I miss that guy.

While Full Eclipse nails the 90s vibe with its aesthetic, its reliance on clichés and predictable plot twists prevents it from truly standing out in the genre.

The young actor’s performances shine, infusing the film with genuine charisma. The intricate world-building in the movie creates a captivating atmosphere, immersing the audience in a fantastical realm filled with mystery and wonder.

The recently Straight Cut of this infamous classic may be even tougher to watch in my opinion.

You can easily tell how much Final Destination and It Follows borrowed from this lost 80s gem.

If you are looking for a movie about a depressed shape shifter this is the movie for you.

Tons going on but nothing going on at the same time. I dig these low budget regional horror movies.

Run of the mill early 80s slasher. The football scene is a classic but there’s not much more there to keep your interest.

Kind of went off the rails towards the last third. You can see direct connection in style and tone to Levison’s work on Euphoria.