Category: REVIEWS

The First Omen, 2024 – ★

This latest installment feels entirely superfluous, merely capitalizing on the lingering recognition of its far superior original. It offers little beyond a superficial retread of familiar terrors, lacking any of the original’s nuanced dread.

Chilling Visions: 5 Senses of Fear, 2013 – ★★

The film fails to captivate, delivering a tedious viewing experience with lackluster cinematography reminiscent of a low-quality television show. Its uninspiring visuals and dull execution make it difficult to recommend.

Beyond the Door III, 1989 – ★★★

The middle section of the film may feel overly drawn out, but it’s the wildly over-the-top finale that leaves a lasting impression. Despite its length, the absurdly exaggerated ending adds a unique twist, making the viewing experience unexpectedly memorable.

Stray Bullets, 2016 – ★★★

The film is remarkably accomplished for a project helmed by a teenager, deftly navigating the immense pressure of a famous familial legacy. Its fresh perspective injects a vibrant energy into a familiar genre, making it a standout endeavor.

Lumberjack the Monster, 2023 – ★★★

The film offers a compelling concept that feels fresh and intriguing. Miike proves once again that his filmmaking prowess can elevate even the most fantastical stories.

Tiny Cinema, 2022 – ★★★

This anthology excels with its engaging tales and quick pace, ensuring there’s never a dull moment. Each segment is cleverly crafted, providing a satisfying blend of humor and suspense.

Blackout, 2023 – ★★★

Larry Fessenden’s latest film offers a raw look at compelling individuals navigating extreme circumstances. The director’s adept storytelling ensures that each moment feels both intimate and harrowing, maintaining a gripping narrative throughout.

Habit, 1995 – ★★★

This gritty exploration of urban vampire lore weaves a compelling tale that deftly captures the essence of 90s New York City. Its raw portrayal and atmospheric setting create an immersive experience that resonates long after the credits roll.

The Strangers: Chapter 1, 2024 – ★★

Despite being a fresh attempt at a beloved story, the film struggles to captivate, leaving little anticipation for its sequels. Its lackluster execution and slow pace fail to inject new life into the familiar narrative.

Founders Day, 2023 – ★

The film attempts to revive classic slasher tropes but fails miserably, delivering a disjointed and uninspired experience that ranks among the most tedious in recent memory. Its predictable plot and lackluster performances make it a forgettable entry in the genre.

Vamp, 1986 – ★★

This film attempts to capture the essence of a surreal, nocturnal odyssey but falls short of delivering the compelling disorientation it aims for. Its blend of horror and dark comedy feels undercooked, leaving much to be desired in both thrills and laughs.

Girl with No Mouth, 2019 – ★

The film begins with a compelling setup that promises an intriguing adventure, yet as the story unfolds, it struggles to maintain momentum and becomes increasingly difficult to engage with.

Sinphony: A Clubhouse Horror Anthology, 2022 – ★

While not the worst entry in the anthology genre, the film suffers from jarring transitions that disrupt the flow between its segments. The stories themselves, though varied, struggle to form a cohesive narrative, undermining the potential for a truly engaging experience.