The Taking of Pelham 1 2 3, 2009 – ★★
The script fails to generate any genuine tension or compelling narrative. Travolta’s overly hammy performance only amplifies the film’s overall lack of subtlety.
The script fails to generate any genuine tension or compelling narrative. Travolta’s overly hammy performance only amplifies the film’s overall lack of subtlety.
This installment feels weaker than its predecessors, lacking the intensity that made the earlier entries so engaging. The villains fail to leave an impression, never truly rising to the level of a worthy adversary.
The looming hurricane added a tense, unpredictable energy to the story, keeping me on edge as it drew closer. When it finally struck during the third act, the heightened atmosphere made those climactic moments far more gripping than expected.
This film presents a straightforward story, but it’s wrapped in an irritating visual style that detracts from the experience. Despite that, I can’t help myself and will still check out the eventual sequel.
I struggled to stay engaged as the plot became increasingly convoluted. The lack of clarity made it difficult to understand what was happening throughout the film.
The film starts with an interesting event in the first 10 minutes but quickly loses steam afterward. Unfortunately, it offers nothing else of substance, making the remainder feel drawn out and boring.
This movie is a standard mid-2010s found footage film that doesn’t break any new ground. With nothing particularly memorable, it fails to stand out in the genre.
Russell Crowe delivers a powerhouse performance, showcasing his talent at its absolute peak. The film remains an incredible piece of filmmaking, blending epic storytelling with stunning visuals.
The grounded storytelling and realistic action sequences give this film a refreshingly authentic feel. Washington’s calm, determined presence adds depth and tension that keep you invested until the very end.
This film is a prime example of early ’90s sleaze, delivering an over-the-top and entertaining experience. It’s a blast to watch with a group of like-minded friends, providing plenty of laughs and outrageous moments.
The chemistry between Washington and Pine injects the story with an electric sense of urgency. Watching it again only reminds me how much we lost when Tony Scott departed far too soon.
The film felt excessively long given how little actually happens, making it drag unnecessarily. Furthermore, the unclear distinction between reality and imagination left me uncertain about what was truly occurring.
Kruger’s films prioritize atmosphere over narrative, and this one is no exception—I’m totally on board with that approach.
The one-take gimmick worked quite well, keeping me engaged in their zombie outbreak tale. I only noticed a few moments where different takes might have been stitched together, which didn’t detract from the overall experience.
The film was thoroughly engaging until the last ten minutes, keeping me captivated throughout. However, the ending left me puzzled, as I couldn’t understand what they were trying to convey.