Category: REVIEWS

The Roundup, 2022 – ★★★

Still delivers the punches, the swagger, and that irresistible Ma Dong-seok charm. Bring on twenty more—I’ll be watching every one.

Black Cab, 2024 – ★★

Stretched thin and far too drawn out, it loses momentum early and never quite finds the road back.

Krazy House, 2024 – ★★

Tries hard to be wild and witty but lands with a thud—loud, chaotic, and rarely as smart as it thinks it is.

Greener Grass, 2019 – ★★

Surreal to a fault, it buries any real impact beneath layers of forced quirk. Feels more like a sketch reel than a cohesive film.

Nightbitch, 2024 – ★★★

Amy Adams gives it her all, but the thin story leaves her howling into the void. Striking ideas, just not enough substance.

Y2K, 2024 – ★★★

Nostalgic chaos with heart and humor—captures the Y2K vibe with style, even if it doesn’t always stick the landing.

Werewolves, 2024 – ★★★★

Impressively gnarly effects and thrilling set pieces make this a beast worth hunting down. Old-school monster mayhem done right.

Under Paris, 2024 – ★★★

Absurd but entertaining, it rides its ridiculous premise with confidence and delivers some solid thrills along the way.

Gladiator II, 2024 – ★★★

This sequel manages to deliver a serviceable follow-up to a classic, even though it can’t fully escape the original’s shadow. Unfortunately, Mescal’s lack of onscreen charisma makes it hard to believe he could rally anyone to his cause.

Landmine Goes Click, 2015 – ★★★

The initial setup feels fairly typical, giving little hint of what’s to come. By the time the wild third act arrives, it’s so unexpected that I couldn’t help but enjoy every moment.