Category: REVIEWS

Feels like a reheated version of better films—familiar beats, predictable turns, and not enough edge to stand out.

Has style, charm, and chemistry to spare—but it overstays its welcome. Trim the fat and it could’ve really soared.

The premise hooks you early, but the amateur-hour acting drags it down. With stronger performances, this could’ve really cut deep.

Tries for edgy but mostly feels forced, with performances that grate and a story that never really finds its footing.

Even with Cranston giving it his all, this slow burn never catches fire—just a forgettable crime thriller with wasted potential.

Well-shot but pointless, it adds nothing new and feels like a studio checklist rather than a story worth telling.

Sharp, stylish, and emotionally resonant—everything clicks in a way that’s rare. A sci-fi standout with real staying power.

Goofy, gory, and totally of its era—feels like Craven caught between two worlds, and the result is strangely delightful.

Goes all in on shock value but forgets to build anything worth caring about. Feels more desperate than dangerous.

Disturbing and relentlessly intense—an unflinching descent into madness with a lead performance that’s pure nightmare fuel.

A priest battling a demonic snake shouldn’t work this well—but it’s surprisingly entertaining and holds its own in the sea of knockoffs.

Stylish but sluggish, it drowns in mood and drags out the runtime—atmosphere alone can’t save it.

Heavy on the hokey and light on the scares—feels more like a sales pitch than a supernatural thriller.

Pure B-movie madness that embraces the absurd—goofy, gory, and exactly the kind of trashy fun it promises.

Doesn’t quite hit the heights it aims for, but strong visuals and moments of genuine mood keep it worthwhile.