Category: MOVIE REVIEWS

Retardead, 2008 – ★★

Offensive title aside, it’s a rough, tasteless ride—but somehow the ending manages to stick better than expected.

The Curse, 1987 – ★★★

Dripping with ’80s vibes and practical goo—it’s dated in the best way, with just enough weird to keep it fun.

Space Sharks, 2024 – ★★

Exactly what you’d expect from the name—silly, shallow, and proudly ridiculous, but not much beyond the gimmick.

Sator, 2019 – ★★

Ultimately just another slow crawl through well-worn horror territory with nothing new to say.

Nosferatu, 2024 – ★★★

Stunning to behold, but the déjà vu is hard to shake. Style nearly makes up for the lack of fresh perspective.

Archive, 2020 – ★★★

Hooks you with its visuals and keeps you around with a thoughtful core. Familiar ideas, but presented with style and care.

Warning, 2021 – ★★

Ambitious in structure but lacking in payoff, the threads feel disconnected and the themes half-baked.

Primal, 2019 – ★★

Completely absurd but not in a way that works—Cage gives it his all, but even he can’t sell this laughably miscast adventure.

Trespass, 2011 – ★★

Loud, lifeless, and strangely empty, it’s a disappointing swan song for a director who once had real flair.

It Cuts Deep, 2020 – ★★

Feels like a reheated version of better films—familiar beats, predictable turns, and not enough edge to stand out.

The Gorge, 2025 – ★★★

Has style, charm, and chemistry to spare—but it overstays its welcome. Trim the fat and it could’ve really soared.

Chop, 2011 – ★★

The premise hooks you early, but the amateur-hour acting drags it down. With stronger performances, this could’ve really cut deep.

Hick, 2011 – ★★

Tries for edgy but mostly feels forced, with performances that grate and a story that never really finds its footing.

Boogeyman, 2005 – ★★

Well-shot but pointless, it adds nothing new and feels like a studio checklist rather than a story worth telling.