The Unthinkable, 2018 – ★★★
Grounded and intense, it paints a chillingly believable picture of societal collapse. Imperfect, but its realism leaves a strong impression.
Grounded and intense, it paints a chillingly believable picture of societal collapse. Imperfect, but its realism leaves a strong impression.
Pure chaos from start to finish, but that’s half the charm. Makes no sense and doesn’t care — just enjoy the ride and let Wiseau do his thing.
Has the bones of a good creature feature but drags too often to build real tension. A few eerie moments can’t save the sluggish pace.
Ambitious and full of potential, it keeps you intrigued but never quite delivers the punch it promises. Almost great — just missing that final spark.
A clever premise keeps things engaging, and the ride is fun if you’re into high-concept setups. Just don’t expect the title to fully cash its check.
Swings between horror, grief, and comedy without ever finding the right branch to land on. Uneven pacing and tonal whiplash keep it from being more than a curiosity.
It started off really strong, but I have no idea why it needed to be 2.5 hours—the middle dragged quite a bit. Thankfully, the wild ending helped bring it back around.
Visually slick and full of mood, but it meanders without much payoff. Ends up feeling more like a vibe experiment than a fully formed narrative.
Wild, stylish, and bursting with energy — even if not every moment lands, the ambition and flair make it a fascinating piece of its era.
A cheesy blend of suspense and camp with a gloriously dated style. It’s uneven but fun, and the sheer strangeness keeps it from ever getting dull.
Outside of a few fun B-movie moments, there’s not much bite here. Worth a glance for fans of Sara Malakul Lane, but otherwise skippable.
Tension deflates quickly when every decision feels like a bad one. There’s atmosphere, but it’s hard to care when the cast keeps making the worst choices possible.
Leans into its bloody setup with a sharp edge and twisted humor. It’s not groundbreaking, but it drills into its concept with enough flair to keep things lively.
Keeps the energy up with plenty of laughs and heart. A worthy follow-up that doesn’t overstay its welcome — and honestly, a trilogy wouldn’t be the worst idea.
A total slog from start to finish. Dull, aimless, and almost entirely devoid of anything worth remembering.