Category: MOVIE REVIEWS

There's Something Wrong with the Children, 2023 – ★

This film lacks originality, shamefully ripping off the far superior “Here Comes The Devil” without adding any daring or distinct elements of its own. Its reluctance to visually depict its monsters further dilutes any potential for genuine scares or intrigue.

The Prodigy, 2019 – ★★

This film follows a familiar formula, delivering predictable scares without adding anything new to the horror genre landscape of its time. It’s a typical entry that fails to stand out amidst its contemporaries.

Day of the Dead, 1985 – ★★★★

Spectacular creature effects enhance the riveting exploration of human resilience and evolution, making each viewing a deeper appreciation of the characters’ compelling arcs. The film masterfully balances visceral horror with poignant, character-driven storytelling.

Love Lies Bleeding, 2024 – ★★★

The film delves deeply into the lives of fringe characters, weaving a narrative that crescendos with explosive violence, a familiar hallmark of A24 that may not surprise fans of the genre. Its visual storytelling and character exploration, while beautifully crafted, tread familiar ground, offering little in the way of new...

In a Violent Nature, 2024 – ★★★★

This film delivers a thrilling experience with its masterful craftsmanship, marking the arrival of a new icon in the horror genre that is sure to leave audiences astounded. Its impact is profound, setting a high bar for creativity and innovation in filmmaking.

Winnie-the-Pooh: Blood and Honey 2, 2024 – ★★

This sequel fails to improve on its predecessor, delivering yet another grim and unsatisfying take on a childhood classic. The attempt to blend horror with beloved characters remains as misguided and jarring as ever.

The First Omen, 2024 – ★

This latest installment feels entirely superfluous, merely capitalizing on the lingering recognition of its far superior original. It offers little beyond a superficial retread of familiar terrors, lacking any of the original’s nuanced dread.

Chilling Visions: 5 Senses of Fear, 2013 – ★★

The film fails to captivate, delivering a tedious viewing experience with lackluster cinematography reminiscent of a low-quality television show. Its uninspiring visuals and dull execution make it difficult to recommend.

Beyond the Door III, 1989 – ★★★

The middle section of the film may feel overly drawn out, but it’s the wildly over-the-top finale that leaves a lasting impression. Despite its length, the absurdly exaggerated ending adds a unique twist, making the viewing experience unexpectedly memorable.

Stray Bullets, 2016 – ★★★

The film is remarkably accomplished for a project helmed by a teenager, deftly navigating the immense pressure of a famous familial legacy. Its fresh perspective injects a vibrant energy into a familiar genre, making it a standout endeavor.

Lumberjack the Monster, 2023 – ★★★

The film offers a compelling concept that feels fresh and intriguing. Miike proves once again that his filmmaking prowess can elevate even the most fantastical stories.

Tiny Cinema, 2022 – ★★★

This anthology excels with its engaging tales and quick pace, ensuring there’s never a dull moment. Each segment is cleverly crafted, providing a satisfying blend of humor and suspense.

Blackout, 2023 – ★★★

Larry Fessenden’s latest film offers a raw look at compelling individuals navigating extreme circumstances. The director’s adept storytelling ensures that each moment feels both intimate and harrowing, maintaining a gripping narrative throughout.

Habit, 1995 – ★★★

This gritty exploration of urban vampire lore weaves a compelling tale that deftly captures the essence of 90s New York City. Its raw portrayal and atmospheric setting create an immersive experience that resonates long after the credits roll.