Category: MOVIE REVIEWS

Holiday Hell, 2019 – ★★

For an anthology, it doesn’t break new ground, but it’s far from the worst I’ve encountered. There’s enough variety in the segments to keep things watchable, even if it never quite excels.

Anora, 2024 – ★★★★

Sean Baker’s latest effort feels like his most accomplished work to date, showcasing a level of craft and confidence that’s truly impressive. The uniformly strong performances lead to a devastating finale that’s hard to shake long after it’s over.

Body Count, 1986 – ★★

I’m glad I gave it a chance, but it doesn’t offer much to even the most dedicated horror enthusiast. The overall lack of standout moments makes it hard to recommend beyond curiosity’s sake.

Heretic, 2024 – ★★★

The return of Hugh Grant adds a welcome, familiar charm to the opening chapters, making it easy to get invested early on. Although the basement sequence fails to deliver the fantastical finale I hoped for, the overall experience remains excellent.

Domino, 2005 – ★★★

Strong performances keep the momentum going, adding depth to characters that could have easily felt hollow. However, the overall narrative fails to fully deliver, leaving the experience feeling somewhat incomplete.

Déjà Vu, 2006 – ★★

The plot follows a predictable path, offering few genuine surprises. Despite this familiarity, the energetic pacing and a commanding central performance by Washington keep it genuinely entertaining.

Man on Fire, 2004 – ★★★

The emotional core of this story lies in the bond between a weary protector and the innocent life he’s sworn to save. Its frenetic visuals and unrelenting tension underscore the depths of vengeance and loyalty, leaving a lasting impression long after it ends.

Spy Game, 2001 – ★★★

The story’s layered narrative and brisk pacing ensure your attention never wanders. Each interaction between the characters crackles with tension, illuminating the morally gray corners of international espionage.

The Fan, 1996 – ★★★

Its commentary on obsessive fandom and the pressure placed on public figures feels even more urgent today. The escalating tension and personal turmoil serve as a chilling reminder that our relationship with celebrities can grow disturbingly toxic.

Crimson Tide, 1995 – ★★★★

The moral standoff between the officers brims with intensity, turning each line of dialogue into a nerve-wracking confrontation. The confined submarine setting amplifies the tension, making every choice feel like a step closer to disaster.

True Romance, 1993 – ★★★★★

From start to finish, every moment feels meticulously crafted, leaving no room for imperfection. The lingering regret of missing its theatrical run only makes it more legendary in my mind.

The Last Boy Scout, 1991 – ★★★★

Despite the reported behind-the-scenes meddling, the end result still comes together as a tightly crafted action experience. Its sharp dialogue, intense set pieces, and charismatic leads combine to create something that feels effortlessly classic.