The Night House, 2020 – ★★
Nicely crafted and well-acted, but emotionally distant and hard to connect with. Despite the talent behind it, this one left me cold.
Nicely crafted and well-acted, but emotionally distant and hard to connect with. Despite the talent behind it, this one left me cold.
Starts off rocky, but once it finds its groove, it’s a bloody good time with plenty of cheeky charm and genre fun.
Promising setup quickly fades into mediocrity. Solid concept squandered on a script that never digs deep enough.
Mostly forgettable with a final act that nearly redeems it. Too little, too late — but there’s a spark buried in the last few moments.
Stylized chaos with a runtime that’s mercifully brief. Visually bold but narratively thin, it mostly tests your endurance.
Sluggish at times, but the explosive finale makes it worth sticking around. Rough, raw, and bursting with DIY energy.
Tense and elegantly twisted, it creeps along with quiet dread. Another dark gem from a director who knows how to unnerve.
Unsettling and poetic, it explores obsession and innocence with an eerie intensity that stays under your skin.
Takes a good premise and squanders it with clunky execution and unintentional laughs. Too silly to take seriously, too dull to enjoy ironically.
Lean, mean, and brutally effective—it hits all the right notes for a revenge tale without wasting a second.
Thrilling from start to finish with brutal fights and sharp turns. A standout action flick that hits hard and keeps you guessing.
Budget constraints aren’t the issue — it’s the flat pacing, weak script, and lack of momentum that make it a tough watch.
Drags from scene to scene with little payoff, and Rourke feels like he’s in an entirely different (and weirder) film. Hard to stay invested.
Delivers a nasty mix of horror and war with just enough pulp to keep it entertaining. Gory, grim, and surprisingly inventive.
Familiar beats and tired scares make this feel like a rehash of better films. Well-shot, but rarely surprising or engaging.