Category: MOVIE REVIEWS
La Abuela (The Grandmother), 2021 – ★★
Familiar beats and tired scares make this feel like a rehash of better films. Well-shot, but rarely surprising or engaging.
Ahockalypse, 2018 – ★★
Swings hard for laughs and misses almost every time. The concept could’ve been a blast, but the execution is dead on arrival.
Borderline, 2025 – ★★★
Entertaining and carried by a game cast, with Weaving stealing every scene she’s in. Light on depth, but solid fun all around.
Get Away, 2024 – ★★
Tries to shock but ends up feeling forced and stale. The humor aims for edgy but mostly lands with a thud.
The King Tide, 2023 – ★★★
Grounded and well-acted, it explores its supernatural setup with a believable lens. Doesn’t push boundaries, but it sticks with you.
No One Lives, 2012 – ★★★
Predictable but gleefully savage, it delivers the bloody goods with style. You won’t be surprised, but you will be entertained.
Presence, 2024 – ★★★
Sleek and skillful, with a haunting precision—may resonate even more on a second watch. A strong showcase of craft.
The Presence, 2014 – ★★
Utterly by-the-numbers with no spark or identity of its own—just another forgettable entry in the ghost story pile.
Handling the Undead, 2024 – ★★★
Quietly unsettling and emotionally heavy, it offers a fresh, mournful spin on the undead that lingers long after.
Retardead, 2008 – ★★
Offensive title aside, it’s a rough, tasteless ride—but somehow the ending manages to stick better than expected.
The Curse, 1987 – ★★★
Dripping with ’80s vibes and practical goo—it’s dated in the best way, with just enough weird to keep it fun.
Space Sharks, 2024 – ★★
Exactly what you’d expect from the name—silly, shallow, and proudly ridiculous, but not much beyond the gimmick.
The Windmill Massacre, 2016 – ★★
Passable horror with a decent hook, but it never rises above average. You’ll forget it by the time the credits roll.


