Good Boy, 2025 – ★★★
Inventive and surprisingly effective, the canine perspective adds a fresh layer to a familiar thriller setup.
Author: chris
Weapons, 2025 – ★★★★
Intense, layered, and expertly crafted—it not only meets the hype but blows past it. A gripping ride.
HauntedWeen, 1991 – ★★★
Low-budget charm and goofy energy make this a perfect slice of regional horror comfort food. Pure 90s fun.
Jimmy and Stiggs, 2024 – ★★★
Wild, messy, and unapologetically Begos—flawed but bursting with energy and attitude. You’ve got to admire the swing.
The Uncle, 2022 – ★★★
Mean-spirited and tightly wound, it’s a grim, unsettling ride that sticks in your head long after.
A House of Dynamite, 2025 – ★★★★
Relentlessly tense and deeply unsettling—a masterclass in sustained dread.
The Hand That Rocks the Cradle, 2025 – ★★★
Competently made and well-acted, but plays it far too safe to justify revisiting the material.
The Long Walk, 2025 – ★★★
Mark Hamill shines, elevating a solid and engaging story. A strong genre outing even though I am not the biggest Stephen King fan.
Shell, 2024 – ★
Starts off promising but crashes hard by the end—an infuriating finish to an already hollow film.
All Hallows' Eve: Trickster, 2023 – ★
Cheap, uninspired, and painfully dull—an empty cash-in with nothing to offer but frustration.
Grave Torture, 2024 – ★★
Drawn-out and repetitive, it stretches a thin idea well past its breaking point. Style without momentum.
The Strangers: Chapter 2, 2025 – ★★
Lifeless and filler-like, it exists only to bridge the gap to another sequel no one asked for.
Vicious, 2025 – ★★★
Ambitious and uneven, but the effort shows—blending familiar concepts into something that’s at least engaging.
Twentynine Palms, 2003 – ★★★
Unsettling and raw, it earns its reputation with a slow build that explodes into pure chaos. Hard to shake once it’s over.
