Author: chris

Exhuma, 2024 – ★★★

The film brilliantly combines old-world traditions with modern technology to create a captivating narrative.

V/H/S/Beyond, 2024 – ★★★

The skydiving segment was a lot of fun and brought an exciting twist to the anthology. However, the highlight for me was “Stowaway”—an amazing concept, but I just wish the visuals were clearer to fully grasp what was happening.

Frankie Freako, 2024 – ★★★

As a big Kostanski fan, I felt let down by this film. It seemed to lack the usual energy, possibly due to budget constraints or other issues.

Doom Asylum, 1987 – ★★★

Discovering this lost 80s gem was a delightful surprise filled with nostalgic charm. The cool makeup effects shine, and even though the storyline is minimal, it doesn’t take away from the fun.

Terrifier 3, 2024 – ★★★★

Thankfully, the film didn’t overcomplicate things by delving too deep into backstory, offering just the right amount of lore. Art’s pure joy when meeting Santa was an absolute blast, adding a delightful twist to the story.

Chained, 2012 – ★★★

Vincent D’Onofrio’s commanding performance elevates the film, making every scene he’s in captivating. The intense atmosphere and psychological depth keep you thoroughly engaged throughout.

#Shakespeare's Shitstorm, 2020 – ★★★

This might be the ultimate TROMA film, packed with all the over-the-top elements fans expect. It’s a wild ride that’s both fun and exhausting due to its sheer insanity and abundance of content.

Halloween Horror Tales, 2018 – ★★★

The film’s low-fi, tiny budget added a unique charm that was a real delight to watch. Its imperfections made it entertaining in all the right ways, turning flaws into features that kept me thoroughly amused.

The Legend of Halloween Jack, 2018 – ★

I can’t believe I ended up watching this a second time; it was just as disappointing as before. The film remains a complete mess, lacking coherence and any redeeming qualities.

Puppet Killer, 2019 – ★★

Seeing middle-aged actors portray teenagers made the film hilariously entertaining. This unconventional casting choice amplified the comedy and kept me thoroughly amused.

Little Bites, 2024 – ★

This film felt like another swing and miss from director Spider One, leaving me disappointed once again. The lack of sufficient explanation throughout made it a very frustrating experience.

All Hallows' Eve, 2013 – ★★★

Time has been kind to this film; watching it again after many years was enjoyable. I especially loved the alien in the second story, which added a fun twist to the anthology.

Stream, 2024 – ★★

Despite its lengthy runtime, the film offers very little in terms of engaging content, making it feel unnecessarily drawn out. The casting choices seemed arbitrary, as if they included everyone who attended a local horror convention.