The Fall
A stunningly beautiful and suprisingly touching film from acclaimed director Tarsem. A wonderful tribute to the art of storytelling.
A stunningly beautiful and suprisingly touching film from acclaimed director Tarsem. A wonderful tribute to the art of storytelling.
A powerful, beautiful, and riveting drama from one of the best directors working today, David Gordon Green. Seek this one out.
Tight little thriller based on the horrific real-life event. I’m glad to see that Stuart Gordon is still putting out some interesting films.
Fascinating doc about the historic 1968 DNC and ridiculous trial. Mixes actual news footage and animated courtroom re-enactments. A must see.
Completely boring and insulting film from Roland Emmerich, who used to make fun movies like Stargate and ID4. This is total junk.
This one was pretty bad and I usually can give Marvel a pass on cheap animation if the story is well written. Marvel needs a Bruce Timm.
Hit or miss sketch comedy film from the famed news outlet. Seagal keeps reappearing as himself promoting a new film called Cock Puncher.
Seagal briefly cameos in a movie Billy Crystal’s character is producing in this really terrible laugh-free film.
Seagal plays a Memphis detective on the trail of a brutal serial killer. First time I saw someone get curbed since American History X. Ouch!
Not as strong as Urban Justice, but far better that most of Seagal’s later DTV work. Seagal creates a nicely nuanced character with flaws.
Finally a DTV that is a throwback to the glory days of great Seagal films. Great action, cool villain. I really enjoyed this one.
Remake of the 1998 Michael Dudikoff thriller Black Thunder that Seagal didn’t really want to make and it shows.
Seagal is sent to Paris to find out who killed 3 of his trainees. Turns out it was a super-powered hooker. No joke.
Seann William Scott and John C. Rielly go head-to-head for the new supermarket general manager’s position in this really funny film.
What started out as a very bad episode of 30 Rock was only saved by a great performance from Amy Peohler.