The Happy House, 2013 – ★★
Too offbeat for its own good, with grating characters and a script that leans hard on tired horror tropes.
Too offbeat for its own good, with grating characters and a script that leans hard on tired horror tropes.
Still delivers the punches, the swagger, and that irresistible Ma Dong-seok charm. Bring on twenty more—I’ll be watching every one.
Nowhere near the accidental magic of the original, but the chaos and Wiseau weirdness make it a worthy, if baffling, follow-up.
Tries hard to be wild and witty but lands with a thud—loud, chaotic, and rarely as smart as it thinks it is.
Stretched thin and far too drawn out, it loses momentum early and never quite finds the road back.
Bold premise aside, it struggles to find the right tone and never quite lands.
Surreal to a fault, it buries any real impact beneath layers of forced quirk. Feels more like a sketch reel than a cohesive film.
Nostalgic chaos with heart and humor—captures the Y2K vibe with style, even if it doesn’t always stick the landing.
Amy Adams gives it her all, but the thin story leaves her howling into the void. Striking ideas, just not enough substance.
Impressively gnarly effects and thrilling set pieces make this a beast worth hunting down. Old-school monster mayhem done right.
Just not my thing. Despite its strengths, the fantasy elements kept me at arm’s length.
Absurd but entertaining, it rides its ridiculous premise with confidence and delivers some solid thrills along the way.
Delivers exactly what you’d expect—bloody bites, bad decisions, and guilty-pleasure fun from start to finish.
A warm, respectful look at a legend. It may not break new ground, but for fans, it hits all the right notes.