Monthly Archive: March 2025

The Maid, 2020 – ★★

Mostly forgettable with a final act that nearly redeems it. Too little, too late — but there’s a spark buried in the last few moments.

Cleaner, 2025 – ★★

Promising setup quickly fades into mediocrity. Solid concept squandered on a script that never digs deep enough.

Lux Æterna, 2019 – ★★

Stylized chaos with a runtime that’s mercifully brief. Visually bold but narratively thin, it mostly tests your endurance.

Adoration, 2019 – ★★★

Unsettling and poetic, it explores obsession and innocence with an eerie intensity that stays under your skin.

Inexorable, 2021 – ★★★

Tense and elegantly twisted, it creeps along with quiet dread. Another dark gem from a director who knows how to unnerve.

Till Death, 2021 – ★★

Takes a good premise and squanders it with clunky execution and unintentional laughs. Too silly to take seriously, too dull to enjoy ironically.

Bull, 2021 – ★★★

Lean, mean, and brutally effective—it hits all the right notes for a revenge tale without wasting a second.

SuperGrid, 2018 – ★★

Budget constraints aren’t the issue — it’s the flat pacing, weak script, and lack of momentum that make it a tough watch.

Kill, 2023 – ★★★★

Thrilling from start to finish with brutal fights and sharp turns. A standout action flick that hits hard and keeps you guessing.

Trench 11, 2017 – ★★★

Delivers a nasty mix of horror and war with just enough pulp to keep it entertaining. Gory, grim, and surprisingly inventive.

WarHunt, 2022 – ★★

Drags from scene to scene with little payoff, and Rourke feels like he’s in an entirely different (and weirder) film. Hard to stay invested.

Borderline, 2025 – ★★★

Entertaining and carried by a game cast, with Weaving stealing every scene she’s in. Light on depth, but solid fun all around.