Monthly Archive: January 2025

The Pond, 2021 – ★★

Visually eerie but narratively muddled, it leans too hard on ambiguity. If you need a guide to understand it, something’s off.

The Canal, 2014 – ★★

Tries to coast on atmosphere but never builds a strong enough foundation—by the time the twist hits, it’s too little, too late.

The Roundup, 2022 – ★★★

Still delivers the punches, the swagger, and that irresistible Ma Dong-seok charm. Bring on twenty more—I’ll be watching every one.

Krazy House, 2024 – ★★

Tries hard to be wild and witty but lands with a thud—loud, chaotic, and rarely as smart as it thinks it is.

Black Cab, 2024 – ★★

Stretched thin and far too drawn out, it loses momentum early and never quite finds the road back.

Greener Grass, 2019 – ★★

Surreal to a fault, it buries any real impact beneath layers of forced quirk. Feels more like a sketch reel than a cohesive film.

Y2K, 2024 – ★★★

Nostalgic chaos with heart and humor—captures the Y2K vibe with style, even if it doesn’t always stick the landing.

Nightbitch, 2024 – ★★★

Amy Adams gives it her all, but the thin story leaves her howling into the void. Striking ideas, just not enough substance.

Werewolves, 2024 – ★★★★

Impressively gnarly effects and thrilling set pieces make this a beast worth hunting down. Old-school monster mayhem done right.