Monthly Archive: August 2024

Longlegs, 2024 – ★★★★

The film is incredibly creepy and tense, making for a gripping experience best enjoyed with no prior knowledge. Nicolas Cage delivers a standout performance worthy of at least an Oscar nomination.

The Green Inferno, 2013 – ★★

Revisiting this film, I still find the dialogue and attempts at humor lacking, but it excels visually and maintains a brisk pace. Its striking cinematography keeps the experience engaging despite its flaws.

The Mutilator, 1984 – ★★★

I clearly remembered the catchy theme song from a previous viewing, but the rest of the film, especially *that* one shocking kill, had slipped my mind. Its memorable moments, while sparse, still manage to leave an impression.

Death Game, 1977 – ★★★★

This 70s grindhouse gem is criminally underseen, deserving far more recognition for its bold storytelling. Sondra Locke and Colleen Camp deliver wildly unhinged performances that truly steal the show.

The Outlaws, 2017 – ★★★

The compelling performances by Ma Dong-seok and Yoon Kye-sang elevate the film, making it an engaging experience from start to finish. Their strong presence has me eager to check out the other films in this series.

Oddity, 2024 – ★★

The film treads familiar ground, offering nothing we haven’t seen countless times before. The unsatisfying ending only adds to the overall disappointment.

Alien: Romulus, 2024 – ★★★★

Initially, I was torn between giving it 1 or 4 stars, but after some thought, it definitely deserves 4 stars for capturing the 1970s retro-futuristic aesthetic perfectly. Alvarez’s bold direction and commitment to the style make it a standout entry in the series.

The Stabilizer, 1986 – ★★

The stunts and questionable acting offer some fun moments, but they fall short of their full potential. I found myself wishing they had pushed the envelope just a bit more to make it truly memorable.

Cocaine Werewolf, 2024 – ★★

Even by Mark Polonia standards, this film feels like a low-effort endeavor, lacking the usual charm of his work. The minimal effort put into the production makes it hard to find anything redeeming.

Blood Conscious, 2021 – ★★

The one redeeming quality of this film is Nick Damici’s dedicated performance; he never phones it in, even when the material falls flat. His effort is the only thing keeping this movie remotely watchable.

The Pink Cloud, 2021 – ★★

After the intriguing premise wears off, there’s little to hold your interest. The film struggles to maintain engagement, leaving it feeling somewhat flat.

We Are Zombies, 2023 – ★★

The script felt a bit undercooked, leading to a movie that often struggled with uneven pacing and tone. Despite some interesting moments, it never quite finds its footing.