Monthly Archive: September 2017

Dave Made a Maze, 2017

Very unique story about creativity and the need to find your own voice. Great art direction on the interior cardboard labyrinth.

Bite, 2015

Fantastic practical effects, so-so story. It was hard to figure out the lead’s power set exactly, every few minutes she had some new disgusting way to kill people.

Jackals, 2017

A pretty much middle of the road home invasion thriller. Doesn’t bring anything new to the genre.

Raw, 2016

Not at all what I was expecting after reading a lot of positive reviews. I found it quite boring and tame for a supposedly over the top cannibal movie.

Hounds of Love, 2016

Pretty intense look at the lives of a serial killer couple. I just wish it was about 30 minutes shorter, it kind of dragged in the middle.

It Comes at Night, 2017

It’s not the movie’s fault but I fell asleep in the middle. I did like what I saw and I will watch it again soon.

Tonight She Comes, 2016

Starts off pretty good but once the characters get inside the cabin everything slows down to a snail’s pace.

A Night of Horror Volume 1, 2015

Pretty boring overall but the true standout was the third story POINT OF VIEW. Very clever. Worth checking out just for this short.

The Belko Experiment, 2016

Lots of gore and fun. I love movies where no character is safe and you never know who is next to go.

Cult of Chucky, 2017

Another fun entry in the Chucky saga. I love the pompous post credit scene.

47 Meters Down, 2017

Not nearly enough sharks. How could these girls possible hear each other when their ears were not in their masks? It drove me nuts.

T2 Trainspotting, 2017

I forgot how much I loved all of these characters and I loved all the echoes back to the original film. The message of moving on and reconciling your past really hit me hard.

mother!, 2017

I don’t know if this movie is some kind of weird torture or a masterpiece. It’s been a week and I still can’t stop thinking about it. It’s pretty much how I feel about every Aronofsky movie.

Baby Driver, 2017

I couldn’t be happier that Edgar Wright has finally found mainstream success without having to compromise his unique style.