Author: chris

The Secret Agent, 2025 – ★★★

Beautifully made and packed with strong performances, but I never felt fully connected because I was missing so much of the historical context. Even so,…

Mummy Shark, 2024 – ★★

Even by Mark Polonia standards, this one is a rough sit. The absurd premise should be a blast, but the pacing crawls, the effects wear…

Hokum, 2026 – ★★★

I wasn’t expecting much since this director usually doesn’t click with me, but this won me over. Adam Scott gives a committed performance, the atmosphere…

Fatal Games, 1984 – ★★★

It’s an entertaining slasher, but the reactions are unintentionally hilarious. Athletes keep turning up dead, and everyone treats it like a minor inconvenience instead of…

The Lodgers, 2017 – ★

It mistakes slow pacing and vague symbolism for depth, leaving the story feeling lifeless instead of haunting. This is exactly the kind of horror movie…

A Violent Separation, 2019 – ★★★

A throwback to the kind of modest crime dramas that used to be everywhere. It’s familiar territory, but there’s something comforting about its straightforward storytelling.…

Iron Lung, 2026 – ★★★

Far more gripping than I expected. The claustrophobic setting and slow-building tension pulled me in, and the atmosphere never let go. It has a few…

Dead Mail, 2024 – ★★★★

The mystery hooked me right away and never let go. Strong performances keep every twist grounded, while the measured pacing lets the tension build naturally.…

Meat Day, 2007 – ★★

For something sold as a nonstop gore fest, it feels surprisingly restrained. The effects are decent when they show up, but the pacing spends too…

Cure, 1997 – ★★★

One of those long-overdue watches that finally lives up to its reputation. The slow-burn atmosphere and quiet sense of dread linger well after it ends.…

Special Effects, 1984 – ★★★

The ’80s really were a different world. This sleazy, offbeat thriller feels like something that could only have been made in that era, and yes—even…

Normal, 2025 – ★★★

There’s nothing particularly wrong with it, but it rarely rises above expectations. The familiar beats play out competently enough, yet it feels like material we’ve…