Author: chris

Krazy House, 2024 – ★★

Tries hard to be wild and witty but lands with a thud—loud, chaotic, and rarely as smart as it thinks it is.

Greener Grass, 2019 – ★★

Surreal to a fault, it buries any real impact beneath layers of forced quirk. Feels more like a sketch reel than a cohesive film.

Nightbitch, 2024 – ★★★

Amy Adams gives it her all, but the thin story leaves her howling into the void. Striking ideas, just not enough substance.

Y2K, 2024 – ★★★

Nostalgic chaos with heart and humor—captures the Y2K vibe with style, even if it doesn’t always stick the landing.

Werewolves, 2024 – ★★★★

Impressively gnarly effects and thrilling set pieces make this a beast worth hunting down. Old-school monster mayhem done right.

Under Paris, 2024 – ★★★

Absurd but entertaining, it rides its ridiculous premise with confidence and delivers some solid thrills along the way.

Gladiator II, 2024 – ★★★

This sequel manages to deliver a serviceable follow-up to a classic, even though it can’t fully escape the original’s shadow. Unfortunately, Mescal’s lack of onscreen charisma makes it hard to believe he could rally anyone to his cause.

August Underground's Mordum, 2003 – ★

This felt like a complete waste of time, offering no redeeming qualities whatsoever. It’s baffling that there was enough interest to spawn a three installments, given how unwatchable this one ended up being.

Landmine Goes Click, 2015 – ★★★

The initial setup feels fairly typical, giving little hint of what’s to come. By the time the wild third act arrives, it’s so unexpected that I couldn’t help but enjoy every moment.

Black Eyed Susan, 2024 – ★★★

The story does a great job of drawing you in, holding your attention through most of the runtime. However, it abruptly ends just as things get truly fascinating, leaving me wanting more.